Strumbel approached the church with the idea of an entirely modern intervention. In the German village of Goldscheuer, the artist reconstructs the interior of the integrated Catholic Church of Mary. By means of these altered objects, Strumbel successfully creates an illusionary world that mirrors the sickness of society. He actuates the mechanism of a society which, in its desire and pursuit of consumption, surrenders to the medium’s constant appeal to status. With his art, Strumbel instigates a shift in societal values: traditional ideals, clichéd notions of home and the reality of the individual are dismantled and transformed into something aesthetical that then becomes an allegory of the societal status symbol. How do I define “home”? How do I view myself? How can I project myself onto the outside world? Strumbel raises significant questions of identity with his work.
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Its full intrinsic meaning however, which loosely alludes to heritage, cannot be fully conveyed in English. However, Strumbel creates a uniquely artificial and artistic aesthetic, used to form extreme exaggerations of content.Īnother important aspect of his work relates to the concept of “Heimat”, the German word for “home”. With their colorful and bright surfaces, these works of art are reminiscent of light and shiny pieces of Pop Art.
At first glance, these objects do not unveil their often disturbing content, but come across as beautifully shaped wooden sculptures. In doing so, he contextualises the objects in a completely new and often provocative way. He replaces important elements of the cuckoo clock, such as traditional carved decorations, with motifs dealing with themes of violence, pornography and death. With his transformed objects, Strumbel successfully creates an illusionary world, which reflects societies real maladies.Stefan Strumbel made a name for himself in particular by reinterpreting traditional cultural artifacts such as cuckoo clocks, anchors and crucifixes, and also by exaggerating elements of Street Art and Pop Art. He exposes the mechanism of a society that in its desire for status and the pursuit of consumerism surrenders to the constant attraction of the media. With his art, Strumbel initiates a change in social values: Traditional ideals and the reality of the individual are dissolved and transformed into an aesthetic that becomes an allegory of social status symbols. Besides with their colorful and bright surface, the artworks appear as light and shiny pieces of Pop Art. By doing so, he puts the objects into a completely new and often provocative context. He replaces significant elements of traditional artifacts with motives that deal with subjects of violence, pornography and death. and reincorporating elements of Street Art & Pop Art.
He made a name for himself by exaggerating traditional and cult artifacts such as cuckoo clocks, crucifixes, etc. Stefan Strumbel is a German artist who lives and works in Offenburg.
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